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HASSO HERING

A perspective from Oregon’s mid-Willamette Valley

A detour into movie history

Written January 1st, 2017 by Hasso Hering
The envelope that sent me looking at old movies.

The envelope that sent me looking at old movies.

Eighty-three years after it was mailed to a Hollywood actress, a little envelope with its 3-cent stamp caught my attention in Albany on New Year’s Eve.

If from that lead you’re hoping for a mystery with a thrilling twist, sorry to disappoint you. But I’m intrigued enough by old stuff to write about it now and then, even though there’s no overwhelming point and the full story remains unclear.

This envelope turned up in the remnants of a stamp collection that was assembled by my wife’s late uncle when he was a boy in Burbank, Calif. It’s been sitting around in two or three cardboard boxes at our house for a few years. With the New Year upon us and thoughts naturally turning to the past, I went through it again on the last night of 2016. I found the envelope, and it told me a story, sketchy and speculative though it is.

Margaret Sullavan

Margaret Sullavan

A young woman named Helen mailed the letter to Margaret Sullavan in March 1934 from Newburyport, Mass. She missed the unusual spelling of her idol’s last name, and she didn’t have the address. But she knew that Margaret worked for Universal Studios, and that the studio was in Universal City. (Those were the halcyon days when the Post Office Department managed to deliver letters even without an exact street address.)

Margaret Sullavan had been a stage actress, and in 1933 she made her movie debut in a film called “Only Yesterday.” (Bless the Internet and Wikipedia for serving up facts like these at the click on the keyboard.) The movie is about the aftermath of the 1929 Wall Street crash. You can see it on YouTube, though the reproduction is not good.

In Massachusetts, young Helen saw the movie and was moved to write a fan letter. (She gives her name on the return address as “Miss,” and online searches came up with a Helen with the same last name in the Massachusetts town who would have been 14 in 1934, 10 years younger than the actress to whom she wrote.)

In any case, at the studio in the San Fernando Valley (where I went to school three decades later), somebody in charge of fan mail opened the letter, fished out the contents, and handed the envelope to a coworker whose kid she knew was collecting stamps.

The house where Helen lived, on Charles Street in Newburyport, is still there. It’s a two-story clapboard structure, built in 1850. A real estate website describes it as a multi-family dwelling with four bedrooms and two bathrooms, evidently a place for two families. The letter writer, now deceased, had a Polish surname, and that part of Massachusetts has lots of others with the same name. (If I found the right Helen, her father had immigrated from Poland.)

As for Margaret Sullivan, she followed “Only Yesterday” with several other movies including, in 1934, “Little Man, What Now?” It’s a drama about a young couple trying to make ends meet in Germany after the First World War, and the YouTube version is a lot clearer than “Only Yesterday.” Margaret made her last movie in 1950, and in 1960 she died at the age of 50.

A warning: Don’t be snared by the easy availability of YouTube videos. While looking for Margaret’s films, I chanced on something completely unrelated, a 1950 comedy called “The Jackpot” with James Stewart and Barbara Hale. Now that’s a funny movie that was impossible to turn off, and before I knew it, more than an hour had slipped away and 2017 had almost arrived. (hh)

 

 



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